Chung Taekyong

์ผํ•˜๋Š” ์‚ฌ๋žŒ๋“ค์˜ ๋•€๊ณผ ์ƒํƒœ๋ฅผ ์œ„ํ˜‘ํ•˜๋Š” ์ธ๊ฐ„์˜ ํƒ์š•์— ๊ด€์‹ฌ์ด ๋งŽ์€ ์‚ฌ์ง„๊ฐ€.

๋Œ€์ถ”๋ฆฌ๋‚˜ ์ œ์ฃผ ๊ฐ•์ •, ๋ฐ€์–‘, ์šฉ์‚ฐ๊ณผ ๋”๋ถˆ์–ด ์ˆฑํ•œ ๋…ธ๋™ํ˜„์žฅ์—์„œ

์ด ๋‚˜๋ผ์—” ๋Œ€์ ‘ ๋ฐ›๋Š” 1๋“ฑ ๊ตญ๋ฏผ์ด ๋”ฐ๋กœ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋‹Œ๊ฐ€ ์‹ถ์€ ์˜๋ฌธ์„ ํ’ˆ๊ณ  ์‚ฌ์ง„์„ ์ฐ๋Š”๋‹ค.

2010๋…„ ๊ธฐ๋ฅญ์ „์ž ๋น„์ •๊ทœ์ง ํˆฌ์Ÿ 1,895์ผ ํ—Œ์ •์‚ฌ์ง„์ง‘ ใ€Ž๋„ˆํฌ๋Š” ๊ณ ๋ฆฝ๋˜์—ˆ๋‹คใ€๋ฅผ ๋ƒˆ๊ณ ,

2014๋…„ ’๋ฐ€์–‘๊ตฌ์ˆ ์‚ฌํ”„๋กœ์ ํŠธํŒ€'์ด ์“ด ใ€Ž๋ฐ€์–‘์„ ์‚ด๋‹คใ€ ์† ๋ฐ€์–‘ ์ฃผ๋ฏผ 16๋ช…์˜ ์‚ฌ์ง„์„ ์ฐ์—ˆ๋‹ค.

2016๋…„ ๊ณ ๊ณต๋†์„ฑ๊ณผ ํ•œ๋Žƒ์ž ์„ ๋‹ด์€ ์‚ฌ์ง„์ง‘  ใ€Ž์™ธ๋ฐ•ใ€์„ ๋ƒˆ๋‹ค.




1976๋…„

๊ฒฝ๊ธฐ ๊ด‘๋ช… ์ถœ์ƒ


2003๋…„ ๊ณ ๋ ค๋Œ€ํ•™๊ต ์–ธ์–ดํ•™๊ณผ ์กธ์—…

2005๋…„ ์ค‘์•™๋Œ€ํ•™๊ต ์‚ฌ์ง„ํ•™๊ณผ ํŽธ์ž…



์ „์‹œ


๊ฐœ์ธ์ „

2010๋…„ ๊ธฐ๋ฅญ ๋น„์ •๊ทœ์ง ํˆฌ์Ÿ 1,895์ผ์˜ ๊ธฐ๋ก <๋„ˆํฌ๋Š” ๊ณ ๋ฆฝ๋˜์—ˆ๋‹ค>, ๊ตญํšŒ์˜์›ํšŒ๊ด€

2016๋…„ <์ž ์˜ ์†ก(้ Œ)>, ์‚ฌ์ง„์œ„์ฃผ ๋ฅ˜๊ฐ€ํ—Œ

2024๋…„ <๋„ˆ์˜ ๊ธฐ์–ต์ด ๋‚˜์—๊ฒŒ ๋‹ฟ๋Š”๋‹ค๋ฉด>, ์žฌ๋‚œํ”ผํ•ด์ž๊ถŒ๋ฆฌ์„ผํ„ฐ '์šฐ๋ฆฌํ•จ๊ป˜' ๊ฐœ๊ด€์ „


๋‹จ์ฒด์ „

2008๋…„ <2008 ์ธ๊ถŒ์‚ฌ์ง„์ „>, ๋ฏผ๋ณ€ ์ฃผ์ตœ, ์‹œ์ฒญ์—ญ์‚ฌ

2012๋…„ <TAKE LEFT>ๅฑ•, ๊ฐค๋Ÿฌ๋ฆฌ ๋‚˜์šฐ

2012๋…„ <๊ฒธ์†ํ•œ ๋ฏธ์ˆ ์”จ>ๅฑ•, ๋ณตํ•ฉ๋ฌธํ™”๊ณต๊ฐ„ ์—๋ฌด ๊ธฐํš์ „

2012๋…„ <๋‚˜๋ฅผ ํŒŒ๊ฒฌํ•˜๋ผ>ๅฑ•, ๋Œ€์•ˆ๊ณต๊ฐ„ ์•„ํŠธํฌ๋Ÿผ๋ฆฌ+๋ฒ™์ปค ์›

2013๋…„ <๋ฏธ์ˆ ๊ด€ ์† ์‚ฌ์ง„ ํŽ˜์Šคํ‹ฐ๋ฒŒ: ์‚ฌ์ง„๊ณผ ์‚ฌํšŒ-์†Œ์…œ์•„ํŠธ>, ๋Œ€์ „์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€

2013๋…„ <๋น›์— ๋นš์ง€๋‹ค ๋‹ค์„ฏ ๋ฒˆ์งธ ์ด์•ผ๊ธฐ>, ์‚ฌ์ง„์œ„์ฃผ ๋ฅ˜๊ฐ€ํ—Œ

2014๋…„ <๋ฐ€์–‘_๊ทธ ์€๋ฐ€ํ•œ ๋น›>, ์ธ๊ถŒ์ค‘์‹ฌ ์‚ฌ๋žŒ ๊ฐค๋Ÿฌ๋ฆฌ in ์ฃผ์ฐจ์žฅ

2014๋…„ ๋ฐ€์–‘ ๊ธฐ๋ก ํ”„๋กœ์ ํŠธ <๋ฐ€์–‘์„ ์‚ด๋‹ค>, ์‚ฌ์ง„์œ„์ฃผ ๋ฅ˜๊ฐ€ํ—Œ

2015๋…„ <์—ฌ๊ธฐ, ์‚ฌ๋žŒ์ด ์žˆ๋‹ค>, ์šฉ์‚ฐ์ฐธ์‚ฌ 6์ฃผ๊ธฐ ์ถ”๋ชจ์œ„์›ํšŒ ์ฃผ์ตœ, ์„œ์šธ์‹œ๋ฏผ์ฒญ ๊ฐค๋Ÿฌ๋ฆฌ

2017๋…„ <์šฉ์‚ฐ์ฐธ์‚ฌ, ๊ธฐ์–ต๊ณผ ์„ฑ์ฐฐ>, ์šฉ์‚ฐ์ฐธ์‚ฌ 8์ฃผ๊ธฐ ์ถ”๋ชจ์ „, ์„œ์šธ์‹œ์ฒญ

2018๋…„ <HETEROTOPIA 421-1 : Humanity for Cort>, ์ŠคํŽ˜์ด์Šค๋น”

2018๋…„~2019๋…„ <์•ˆ๋…•! ๋ฏผ์ฃผ์ฃผ์˜>, ๋Œ€ํ•œ๋ฏผ๊ตญ์—ญ์‚ฌ๋ฐ•๋ฌผ๊ด€

2020๋…„ <๋ง์˜ ์„ธ๊ณ„์— ๊ฐ๊ธˆ๋œ ๊ฒƒ๋“ค>,  '๊ตญ๊ฐ€๋ณด์•ˆ๋ฒ•์„ ๋ฐ•๋ฌผ๊ด€์œผ๋กœ' ์ „์‹œํšŒ ์ถ”์ง„์œ„์›ํšŒ·๋ฏผ์ฃผํ™”์šด๋™๊ธฐ๋…์‚ฌ์—…ํšŒ, ๋ฏผ์ฃผ์ธ๊ถŒ๊ธฐ๋…๊ด€

2021๋…„ <2021 ๋ณด๊ณ  ์‹ถ์€ ์–ผ๊ตด-1991๋…„ 5์›”์„ ๊นจ์šฐ๋‹ค>, ์ดํ•œ์—ด๊ธฐ๋…๊ด€

2021๋…„ <์‚ฌ์‹ค ๋ง์ž๋Š” ์ฃฝ์ง€ ์•Š์•˜๋‹ค Actually, the dead are not dead>, ํ† ํƒˆ๋ฏธ์ˆ ๊ด€ ์•ˆ์„ฑ๋ถ„๊ด€ “์•ˆ์„ฑ์š”๊ธฐ”


์ถœํŒ

2010๋…„ ใ€Ž๋„ˆํฌ๋Š” ๊ณ ๋ฆฝ๋˜์—ˆ๋‹ค_๊ธฐ๋ฅญ ๋น„์ •๊ทœํˆฌ์Ÿ 1,895์ผ ํ—Œ์ •์‚ฌ์ง„์ง‘ใ€, ํ•œ๊ตญ๋น„์ •๊ทœ๋…ธ๋™์„ผํ„ฐ

2011๋…„ ใ€Ž์‚ฌ๋žŒ์„ ๋ณด๋ผใ€(๊ณต๋™), ์•„์นด์ด๋ธŒ ์ถœํŒ์‚ฌ

2012๋…„ ใ€Ž๊ฑฐ๊ธฐ ๋งˆ์„ ํ•˜๋‚˜ ์žˆ์—ˆ๋‹ค_๋ฏธ๊ตฐ๊ธฐ์ง€ํ™•์žฅ์— ๋งž์„  4๋…„๊ฐ„์˜ ๊ธฐ๋กใ€(๊ณต๋™), ํ‰ํƒํ‰ํ™”์„ผํ„ฐ

2014๋…„ ใ€Ž๋ฐ€์–‘์„ ์‚ด๋‹คใ€(์‚ฌ์ง„), ์˜ค์›”์˜๋ด„

2015๋…„ ใ€Žํƒˆํ•ต ํƒˆ์†ก์ „ํƒ‘ ์›์ •๋Œ€ใ€(๊ณต๋™), ํ•œํ‹ฐ์žฌ

2015๋…„ ใ€Ž๋ฐ€์–‘, 10๋…„์˜ ๋น›ใ€(๊ณต๋™), ๋ฆฌ์Šจํˆฌ๋”์‹œํ‹ฐ

2016๋…„ ใ€Ž์™ธ๋ฐ•_๊ณ ๊ณต๋†์„ฑ๊ณผ ํ•œ๋Žƒ์ž ใ€, ์˜ค์›”์˜๋ด„

2018๋…„ ใ€Ž๋‚˜, ํ•จ๊ป˜ ์‚ฐ๋‹ค_์‹œ์„ค ๋ฐ–์œผ๋กœ ๋‚˜์˜จ ์žฅ์• ์ธ๋“ค์ด ์ด์•ผ๊ธฐใ€(์‚ฌ์ง„), ์˜ค์›”์˜๋ด„

2018๋…„ ใ€Ž๋‚˜๋ฅผ ๋ณด๋ผ, ์žˆ๋Š” ๊ทธ๋Œ€๋กœ_ํ™”์ƒ๊ฒฝํ—˜์ž๋Š” ๋ฌด์—‡์œผ๋กœ ์‚ฌ๋Š”๊ฐ€ใ€(์‚ฌ์ง„), ์˜จ๋‹คํ”„๋ ˆ์Šค

2020๋…„ ใ€Ž๋ง์˜ ์„ธ๊ณ„์— ๊ฐ๊ธˆ๋œ ๊ฒƒ๋“ค_์—ฌ์„ฑ ์„œ์‚ฌ๋กœ ๋ณธ ๊ตญ๊ฐ€๋ณด์•ˆ๋ฒ•ใ€(์‚ฌ์ง„), ์˜ค์›”์˜๋ด„

2020๋…„ ใ€Ž๊ฒ€์€ ๋ฒฝ๋Œ์˜ ๊ธฐ์–ตใ€,๋‚จ์˜๋™ ๋Œ€๊ณต๋ถ„์‹ค ๊ธฐ๋ก ์‚ฌ์ง„์ง‘, ๋ฏผ์ฃผํ™”์šด๋™๊ธฐ๋…์‚ฌ์—…ํšŒ

2021๋…„  ใ€Ž๋‚˜์ด๊ฐ€ ๋“ค๋‹ค Agedใ€, ๊ตญ๋ฆฝ์ค‘์•™์˜๋ฃŒ์› MAGAZINE OO VOL.2

2022๋…„ ใ€Ž์ง‘์œผ๋กœ ๊ฐ€๋Š”, ๊ธธ_์‹œ์„ค์‚ฌํšŒ๋ฅผ ๋ฉˆ์ถ”๋‹คใ€(์‚ฌ์ง„), ์žฅ์• ์™€์ธ๊ถŒ๋ฐœ๋ฐ”๋‹ฅํ–‰๋™

×์ธ๊ถŒ๊ธฐ๋ก์„ผํ„ฐ ์‚ฌ์ด ๊ธฐํš·๊ธฐ๋ก, ์˜ค์›”์˜๋ด„


์ˆ˜์ƒ

2008๋…„ 2008 ์ธ๊ถŒ์‚ฌ์ง„๋Œ€์ƒ, ๋ฏผ์ฃผ์‚ฌํšŒ๋ฅผ ์œ„ํ•œ ๋ณ€ํ˜ธ์‚ฌ ๋ชจ์ž„(๋ฏผ๋ณ€) ์ฃผ์ตœ

2017๋…„ ์ œ2ํšŒ ์˜ค๋ Œ์ง€ ์ธ๊ถŒ์ƒ, (์žฌ)์ธ๊ถŒ์žฌ๋‹จ ์‚ฌ๋žŒ ์ œ์ •

2019๋…„ ํ•œ๊ตญ๋…ธ๋™๋ฌธํ™”๋Œ€์ƒ(๋ฌธํ™”์˜ˆ์ˆ  ๋ถ€๋ฌธ), ๊ณ ๋ ค๋Œ€ํ•™๊ต ๋…ธ๋™๋Œ€ํ•™์›·๋…ธ๋™๋ฌธ์ œ์—ฐ๊ตฌ์†Œ ์ฃผ์ตœ



Chung Taek Yong, born in 1976 at Gwangmyeong, studied linguistics at Korea University and, after a short employment, photography at Chung-Ang University.


He has worked as a photo journalist for various new media.


He has had numerous exhibitions, including the solo exhibitions


You’re Isolated: Records of 1,895 Days of Struggle by Temporary Workers of the Kiryung
Electronics at the Congress Building in 2010,

and Hymn to Sleep, at Ryugaheon in 2016

and group exhibitions,

including Human Rights Exhibition, at the City Hall Station in 2008,

and Yongsan Disaster, Memory and Reflection after 8 Years, at Seoul City Hall.


He published several photo collections, including You’re Isolated (2010),
Ecce Homo (2011),

There Was a Village: Record of Struggle against the Expansion of the U.S. Army Camp (2012),

Living at Miryang (2014),

Expedition for Enucleation and Out-of-Transmission Tower (2015),

Miryang, Light of Ten Years (2015),

and Sleeping Out: A Sitdown on the High Rise Tower and Sleeping in the Open (2016).


He was awarded the Grand Prize of 2008 Human Rights Photography by the Lawyers Association for Democratic Society and the 2nd Prize of Orange Human Rights by the Foundation of Human Rights Saram.



Awards


2008 Grand Prize of 2008 Human Rights Photography by the Lawyers Association for Democratic Society

2017 The 2nd Prize of Orange Human Rights by the Foundation of Human Rights Saram

2019 Korea Labor Culture Award(Culture and Art Division) by Korea University Graduate School of Labor Studies·Institute for Research on Labor and Employment